Best Audio Interfaces for Live Shows
Having an audio interface is essential for running playback, as it allows you to route additional audio output for running click tracks, separate backing vocal stems, as well as LTC Timecode to sync lighting and visuals to your music. See below to see what audio interface is right for you:
iConnectivity PlayAUDIO12
Specs:
Number of Inputs: 0
Number of Outputs: 12
Connection Type: USB
Additional Features: MIDI I/O, built-in redundancy feature.
Pros:
Industry standard audio interface with redundancy options
Multi-channel audio and MIDI capabilities.
Lightweight and versatile
Cons:
No audio inputs
MOTU 828 MK3 Hybrid
Specs:
Number of Inputs: 28
Number of Outputs: 30
Connection Type: FireWire or USB
Additional Features: MIDI I/O, on-board DSP, mixing, and effects.
Pros:
Versatility: Offers both FireWire and USB connectivity, making it compatible with a variety of setups.
Multiple I/O Options: Provides a wide range of inputs and outputs, including 8 XLR/TRS combo inputs, 10 TRS outputs, and additional digital I/O, suitable for more complex recording setups.
Onboard DSP: Features onboard DSP for mixing and effects, allowing for low-latency monitoring with effects.
High-Quality Conversion: Renowned for its high-quality A/D and D/A conversion, ensuring clear and accurate audio reproduction.
Expandable: Supports daisy-chaining of multiple units for more I/O, useful for larger recording sessions.
Cons:
Complexity: Its wide range of features and routing options can be overwhelming for beginners.
Size and Portability: Larger and heavier compared to many other interfaces, which might be a consideration for mobile setups.
Cost: Generally more expensive than entry-level interfaces, making it a significant investment.
MOTU M4
Specs:
Number of Inputs: 4
Number of Outputs: 4
Connection Type: USB-C (Bus-powered)
Additional Features: MIDI I/O, Loopback channels, high-quality preamps.
Pros:
High-Quality Preamps: Known for its high-quality mic preamps that deliver clean and detailed sound.
Portability: Compact and lightweight, making it ideal for mobile recording setups or small studios.
Affordability: Offers great value for its price, making it accessible for beginners and home studios.
Loopback Functionality: Useful for live streaming or podcasting, allowing you to mix computer audio with live inputs.
Easy-to-Use Interface: Straightforward design, suitable for those who prefer simplicity and ease of use.
Cons:
Limited I/O: With only 2 mic inputs and 2 line inputs, it might not be sufficient for larger recording sessions.
No DSP: Lacks onboard DSP for effects, which means relying on computer processing for monitoring with effects.
Less Robust Build: While portable, its build quality might not feel as robust as higher-end models.
Conclusion
Your choice between software, hardware, audio interfaces, and redundancy systems should be guided by your specific needs, technical comfort, and budget. There is no “One size fits all” solution. Whether you need the flexibility of software solutions, the reliability of hardware options, or the assurance of redundancy systems, there's a perfect fit for every artist.
And remember, for an incredible live experience, complement your audio with synchronized lighting from Duck Lights. We specialize in timecode lighting shows that will take your performance to a whole new level of awesome!
Rock on and shine bright! 🎸💡🎶